ÌÀÐÕÈ
ËÈ×ÍÛÉ ÊÀÁÈÍÅÒ ÑÒÓÄÅÍÒÀ
ÏÐÎÅÊÒÍÛÅ ÃÐÓÏÏÛ III ÊÓÐÑÀ 2024/2025 ó÷. ã.
ÊÎÍÔÅÐÅÍÖÈÈ 2023-2024
Âûáîðû çàâåäóþùèõ êàôåäðàìè. Êîíêóðñ ÏÏÑ
2024 - ÃÎÄ ÑÅÌÜÈ
ÂÌÅÑÒÅ ÏÐÎÒÈÂ ÊÎÐÐÓÏÖÈÈ
ÔÀÊÓËÜÒÅÒ ÏÎÂÛØÅÍÈß ÊÂÀËÈÔÈÊÀÖÈÈ
ÍÀÖÈÎÍÀËÜÍÛÉ ÏÐÎÅÊÒ "Íàóêà è Óíèâåðñèòåòû"
ÑÒÀƨРÌèíîáðíàóêè Ðîññèè
ÇÀÙÈÒÀ ÏÐÀÂ ÍÅÑÎÂÅÐØÅÍÍÎËÅÒÍÈÕ Â ÑÅÒÈ ÈÍÒÅÐÍÅÒ


English version Russian version



INTERNATIONAL SCIENTIFIC AND EDUCATIONAL ONLINE JOURNAL 
ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES

1(54) 2021


Article TO THE ORIGINS OF MODERN NEO-AVANT-GARDE
ARCHITECTURE: A NATIONAL HERITAGE OF THE VKHUTEMAS EPOCH 1920–2020 YEARS
Authors S. Dadasheva
Moscow Institute of Architecture (State Academy), Moscow, Russia
Abstract The article is a part of scientific research devoted to the understanding of the artistic heritage of the Soviet school of the avant-garde of the VKHUTEMAS epoch in comparison with the experience of compositional form shaping of modern neo-avant-garde architecture. The century-old artistic resource of 1920–2020, inherited from the leaders of the Russian avant-garde school (Rodchekno, Tatlin, Ginzburg, Golosov, Ladovsky, Krisnky, Melnikov, Leonidov, Malevich, Krutikov, etc.), revived it`s spirits in the design experience of contemporary masters (Hadid, Libeskind, Koolhaas, Gehry, Koop Himmelb (l) ay, Eisenman, etc.).
Keywords: theory of composition, shaping, composition, plastic, contemporary architecture, Vkhutemas, theory of architecture, Russian avant-garde school
article Article (RUS)
References

  1. Melodinsky D. The Search for Dynamic Forms in Architecture of the Soviet Avant-Garde. Architecture and Modern Information Technologies, 2018, no. 2(43), pp. 229–251. Available at: https://marhi.ru/AMIT/2018/2kvart18/PDF/15_melodinsky.pdf
  2. Melodinskii D.L. V. Krinskii: mastera arkhitektury [V.F. Krinsky (Masters of Architecture)]. Moscow, 1998, 256 p.
  3. Dadasheva M.M. Hudozhestvennyj yazyk arhitektury konca 20 - nachala 2I veka v kategoriyah ob"emno-prostranstvennoj kompozicii [The artistic language of architecture of the late 20th - early 21st centuries in the categories of volumetric-spatial composition (Kand. Disser.)] Moscow, 2016, 190 p.
  4. Melodinskii D.L. Kontseptsii khudozhestvennogo formoobrazovaniia v arkhitekturnykh shkolakh 20 veka Razvitie tvorcheskikh idei VKHUTEMASa i Baukhauza [Concepts of Artistic Shaping in Architectural Schools of the 20th Century. Development of creative ideas of VKHUTEMAS and Bauhaus (Doc. Disser.)]. Moscow, 2003, 412 p.
  5. Libeskind D. DANIEL LIBESKIND: BETWEEN THE LINES. The catalogue to the exhibition “Daniel Libeskind, Between the Lines – Extension to the Berlin Museum”. Publisher: Jewish Historical Museum, Amsterdam, 1991, 543 p.
  6. Dobritsyna I.A. Ot postmodernizma – k nelineinoi arkhitekture Arkhitektura v kontekste sovremennoi filosofii i nauki [From Postmodernism to Nonlinear Architecture: Architecture in the Context of Contemporary Philosophy and Science]. Moscow, 2004, 416 p.
  7. Goldkhoorn B. Novyi etap osvoeniia naslediia sovetskogo konstruktivizma [A new stage in the development of the legacy of Soviet constructivism. Project Russia Magazine]. Moscow, 1995, no. 1.
  8. Bagrova N.V. Kritika arkhitektury sovetskogo avangarda kak forma refleksii otechestvennoi khudozhestvennoi kultury XX veka [Criticism of the architecture of the Soviet avant-garde as a form of reflection on the national artistic culture of the 20th century]. Kemerovo, 2002, 19 p.
  9. Danilova E.V. Razvitie formoobrazuiushchikh idei kubizma i futurizma v arkhitekture dekonstruktivizma [Development of the formative ideas of Cubism and Futurism in the architecture of deconstructivism]. Moscow, 2001, 170 p.
  10. Mastera sovetskoi arkhitektury ob arkhitekture [Masters of Soviet architecture on architecture: Selected excerpts from letters, articles, speeches and treatises: in 2 volumes]. Vol. 2, Moscow, 1975, 584 p.
  11. Khan-Magomedov S.O. Ilia Golosov [Ilia Golosov]. Moscow, 1988, 232 p.
  12. Ginzburg M.I. Stil i epokha [Style and era]. Moscow, 1924, 240 p.
  13. Rodchenko A.M. Opyty dlia budushchego Dnevniki Stati Pisma Zapiski [Experiments for the Future: Diaries. Articles. Letters. Notes]. Moscow, 1996, 415 p.
  14. Bagrova N.V. Kritika arkhitektury sovetskogo avangarda kak forma refleksii otechestvennoi khudozhestvennoi kultury 20 veka [Criticism of the architecture of the Soviet avant-garde as a form of reflection on the national artistic culture of the 20th century (Kand. Disser.)]. Moscow, 1987, 550 p.
  15. Kozlovskii V. D. VHUTEMAS i Bauhaus v kontekste hudozhestvennoj kul'tury Rossii i Germanii pervoj treti XX veka: komparativnyj analiz [VKHUTEMAS and Bauhaus in the context of the artistic culture of Russia and Germany in the first third of the XX century: a comparative analysis (Kand. Disser. Thesis)]. Moscow, 2017, 18 p.
  16. Golosov I. PROSTRANSTVO VHUTEMAS: Nasledie. Tradicii. Novacii: materialy Vserossijskoj nauchnoj konferencii [SPACE VKHUTEMAS: Heritage. Traditions. Innovations: Materials of the All-Russian Scientific Conference, November 17-19, 2010]. Moscow, 2010, 240 p.
  17. Rodchenko A.M. LINIYA. Rukopis' [LINE / Manuscript, 1921]. Moscow, 2003, 87 p.
  18. Han-Magomedov S.O. Arhitektura sovetskogo avangarda. Kn. 1. Problemy formoobrazovaniya. Mastera i techeniya [The architecture of the Soviet avant-garde. Book. 1. Problems of shaping. Masters and currents]. Moscow, 1996, p. 204.

For citation

Dadasheva S. To the Origins of Modern Neo-Avant-Garde Architecture: a National Heritage of the VKHUTEMAS Epoch 1920–2020 Years. Architecture and Modern Information Technologies, 2021, no. 1(54), pp. 91–102. Available at: https://marhi.ru/AMIT/2021/1kvart21/PDF/05_dadasheva.pdf DOI: 10.24412/1998-4839-2021-1-91-102