ÌÀÐÕÈ
ËÈ×ÍÛÉ ÊÀÁÈÍÅÒ ÑÒÓÄÅÍÒÀ
ÇÎËÎÒÀß ÌÅÄÀËÜ ÌÀÐÕÈ 2023
ÏÐÎÅÊÒÍÛÅ ÃÐÓÏÏÛ III ÊÓÐÑÀ 2023/2024 ó÷. ã.
ÊÎÍÔÅÐÅÍÖÈÈ 2023-2024
ÂÛÁÎÐÛ ÄÅÊÀÍÀ. ÊÎÍÊÓÐÑ ÏÏÑ.
ÄÅÑßÒÈËÅÒÈÅ ÍÀÓÊÈ È ÒÅÕÍÎËÎÃÈÉ
2024 - ÃÎÄ ÑÅÌÜÈ
Ïîäãîòîâêà ê ïîñòóïëåíèþ íà ñïåöèàëüíîñòü ÄÀÑ â 2024 ãîäó
ÂÌÅÑÒÅ ÏÐÎÒÈÂ ÊÎÐÐÓÏÖÈÈ
ÔÀÊÓËÜÒÅÒ ÏÎÂÛØÅÍÈß ÊÂÀËÈÔÈÊÀÖÈÈ
ÑÒÀƨРÌèíîáðíàóêè Ðîññèè
ÓÍÈÂÅÐÑÈÒÅÒÑÊÈÅ ÑÓÁÁÎÒÛ
Âñåìèðíûé ôåñòèâàëü ìîëîä¸æè 2024
ÍÀÖÈÎÍÀËÜÍÛÉ ÏÐÎÅÊÒ "Íàóêà è Óíèâåðñèòåòû"
ÇÀÙÈÒÀ ÏÐÀÂ ÍÅÑÎÂÅÐØÅÍÍÎËÅÒÍÈÕ Â ÑÅÒÈ ÈÍÒÅÐÍÅÒ

2(23) 2013


English version Russian version



ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
INTERNATIONAL ELECTRONIC SCIENTIFIC - EDUCATIONAL JOURNAL ON SCIENTIFIC-TECHNOLOGICAL AND EDUCATIONAL-METHODICAL ASPECTS OF MODERN ARCHITECTURAL EDUCATION AND DESIGNING WITH THE USAGE OF VIDEO AND COMPUTER TECHNOLOGIES


Article ORGANIC ARCHITECTURE MEANS FOR SUSTAINABILITY GOALS
Authors R. Mirzaei, Department of Architecture, Birjand Branch, Islamic Azad University, Birjand, Iran
Abstract Organic Architecture is not a style of imitation, but rather, a reinterpretation of Nature's principles to build forms more natural than nature itself. Engineers, designers and architects often look to nature for inspiration. The research on “natural constructions” is aiming at innovation and the improvement of architectural quality. The introduction of life sciences terminology in the context of architecture delivers new perspectives towards innovation in architecture and design. The investigation is focused on the analogies between nature and architecture. From the time immemorial, human beings have been accompanied with the nature and natural organisms. These interactions sometimes lead to different and contradictory paradigms but the natural organisms have always been the inspiring sources for humans. Mother Nature has devotes its countless gifts and resources generously to human beings to be able to develop their civilizations all over the world.

Each with its own culture, beliefs, values, traditions, attitudes and ethics is the element of people differentiation in different societies. In the other hand, we are nature. So, we should respect and learning from nature. However, they necessarily not always successful as degree of their success depended upon their perception and understanding of the nature of organisms. Later, some biological comparisons were introduced focusing on formal and structural aspects to have wider perspective about the nature of the organisms and new rules and regulations. These gave rise to critical faults and disadvantages. Like human beings themselves, their architectures possess integral, united and harmonic system that is demonstrated in the best possible form in the natural organisms.

The present work attempts to introduce some of the principles, rules and regulations related to the natural organism and then describes how to apply those organisms in architecture. Finally, it realizes the ways of going beyond the motional principles in order to attain a multidimensional humanistic architecture. While Organic Architecture does describe an expression of individuality, it also explores our need to connect to Nature. Using Nature as basis for design, a building or design must grow, as Nature grows, from the inside out. Most architects design their buildings as a shell and force their way inside. Nature grows from the idea of a seed and reaches out to its surroundings. A building (following the principles of Organic Architecture) thus is similar to an organism and mirrors the beauty and complexity of Nature.
Keywords: Physical order and disorder, Sustainability Goals, Organic Architecture
article Article
References
  1. Muller Peter. Round House. Reviewed in Architecture and Arts. July, 1954, pp. 22 – 24.
  2. Mumford Lewis. Roots of Contemporary American Architecture (What the American Tradition is not). N.Y, 1952, 1956.
  3. Njoo Alex. Reflections on Architecture as Art. Architect. July/Aug, Melbourne, 2002.
  4. Field D.M. The world’s greatest architecture past and present.
  5. Giedion Sigfried. Space, Time and Architecture: The growth of a new tradition,1986.
  6. Gossel Peter. Modern architecture.
  7. Grutter, Jorg Kurt. Asthetik der Architektur: Grundlagen der Architektur Wahrnehmung, Fourth Translated Edition (Persian, Iran), 2008.
  8. Marian Moffett and et al. A world History of Architecture, 3rd edition.
  9. Mumford Mark. The Origins of American organic architecture, JAE 42/3, spring, 1989.
  10. Wright Frank Lloyd. Writings and Buildings, Cleveland Wrold publishing company. Available at: http://EzineArticles.com/1804880
  11. Antoniades Anthony C. Poetics of Architecture, Theory of Design (trans. into Persian by Ahmad Reza Ai Soroush). Publication, 2002.
  12. Ardalan N. and Bakhtiar L. The sense of unity: The Sufi Tradition in Persian architecture (trans. into Persian by Hamid Shahrokh Khak). Publication, 2001.
  13. Ansari Mojtaba & Taghvaee Ali Akbar, Mahmoudinejad. Cultural Belief Regarding Persian Garden with the Emphasis on Water and Trees, African and Asian Studies, no.43, 2007.
  14. Jenkes Charles. Gradual Movement from Hi-tech to Organitech (trans. in Persian by Mohamd Ali Ashraf Abadi). Journal, no.42, 2002.
  15. Ali Abadi Mohammad. Human, nature and architecture. IUST University publisher, Iran, 2004.
  16. Bell Simon. Landscape Pattern (trans. in Persian by Behnaz Aminzadeh). University of Tehran Publisher, 2003.
  17. Curtis William J. R. Modern Architecture Since 1900. Prentice Hal, Inc., 1987, p. 29.