ÌÀÐÕÈ
ËÈ×ÍÛÉ ÊÀÁÈÍÅÒ ÑÒÓÄÅÍÒÀ
ÇÎËÎÒÀß ÌÅÄÀËÜ ÌÀÐÕÈ 2023
ÏÐÎÅÊÒÍÛÅ ÃÐÓÏÏÛ III ÊÓÐÑÀ 2023/2024 ó÷. ã.
ÊÎÍÔÅÐÅÍÖÈÈ 2023-2024
ÊÎÍÊÓÐÑ ÏÏÑ
2024 - ÃÎÄ ÑÅÌÜÈ
Êðàòêîñðî÷íûå ïîäãîòîâèòåëüíûå êóðñû 1.5 ìåñÿöà
ÂÌÅÑÒÅ ÏÐÎÒÈÂ ÊÎÐÐÓÏÖÈÈ
ÔÀÊÓËÜÒÅÒ ÏÎÂÛØÅÍÈß ÊÂÀËÈÔÈÊÀÖÈÈ
ÑÒÀƨРÌèíîáðíàóêè Ðîññèè
ÓÍÈÂÅÐÑÈÒÅÒÑÊÈÅ ÑÓÁÁÎÒÛ
Âñåìèðíûé ôåñòèâàëü ìîëîä¸æè 2024
ÍÀÖÈÎÍÀËÜÍÛÉ ÏÐÎÅÊÒ "Íàóêà è Óíèâåðñèòåòû"
ÇÀÙÈÒÀ ÏÐÀÂ ÍÅÑÎÂÅÐØÅÍÍÎËÅÒÍÈÕ Â ÑÅÒÈ ÈÍÒÅÐÍÅÒ


English version Russian version



INTERNATIONAL SCIENTIFIC AND EDUCATIONAL ONLINE JOURNAL 
ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES

1(42) 2018


Article PERFORMATIVITY OF ARCHITECTURE IN PHENOMENOLOGICAL CONCEPTS BY DAVID LEATHERBARROW
Authors M.R. Nevlyutov, Research Institute of the Theory and History of Architecture and Town Planning, Moscow, Russia
Abstract One of the main trends of the modern architecture is mobility. It is not just movement of building elements, but the conditionality of the existence architecture by the time itself. Architecture is the living entity in the process of constant becoming, architecture links together all aspects of reality. This statement changes the way we used to think about architecture in the 20th century. The traditional understanding of architecture as something coherent, specific and complete is collapses. Architecture absorbs the aleatoric of life. Theory of architecture shifts its focus from object to action, from text to performance. The architectural theorist David Leatherbarrow puts the concept of time at the center of his attention. He points at the performativity of architecture and interprets architecture as an event, action, which is continuously becoming in space and time.
Keywords: phenomenology of architecture, performativity, architectural performative, David Leatherbarrow, Henri Bergson, duration, time, weathering, wall surface, structural resistance, special place, event
article Article (RUS)
References

  1. Austin J. Izbrannoe [Favorites]. Moscow, Ideia-Press, 1999.
  2. Fisher-Likhte E. Estetika performativnosti [Aesthetics of performativity]. Moscow, 2015.
  3. Bergson H. Tvorcheskaia evoliutsiia [Creative evolution]. Moscow, KANON-press-Ts, 2001.
  4. Nevlyutov M.R. Phenomenological Concepts of the Contemporary Theory of Architecture // Architecture and Modern Information Technologies, 2015, no. 3(32). Available at: http://www.marhi.ru/eng/AMIT/2015/3kvart15/nevlutov/abstract.php
  5. Leatherbarrow D. Architecture's unscripted performance. Performative architecture: Beyond instrumentality. New York, Spon Press, 2005.
  6. Leatherbarrow D. Architecture Oriented Otherwise. New York, Princeton Architectural Press, 2009.
  7. Leatherbarrow David. On Weathering: The Life of Buildings in Time, with Mohsen Mostafavi. Cambridge, Mass.: MIT Press, 1993.
  8. Zumthor P. Thinking Architecture. Basel, Birkhauser, 1999, p. 24.
  9. Rossi Aldo. Nauchnaia avtobiografiia [Scientific autobiography]. Moscow, Strelka Press, 2015.
  10. Loos A. Pochemu muzhchina dolzhen byt' khorosho odet: Nekotorye razoblacheniia modnykh oblachenii [Why a man should be well dressed: Some revelations of fashionable attire]. Moscow, Strelka Press, 2016.

For citation

Nevlyutov M.R. Performativity of Architecture in Phenomenological Concepts by David Leatherbarrow. Architecture and Modern Information Technologies, 2018, no. 1(42), pp. 178-186. Available at: http://marhi.ru/eng/AMIT/2018/1kvart18/13_nevlyutov/index.php