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ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
INTERNATIONAL ELECTRONIC SCIENTIFIC - EDUCATIONAL JOURNAL ON SCIENTIFIC-TECHNOLOGICAL AND EDUCATIONAL-METHODICAL ASPECTS OF MODERN ARCHITECTURAL EDUCATION AND DESIGNING WITH THE USAGE OF VIDEO AND COMPUTER TECHNOLOGIES


Article DISTORTION IN DRAWIND, PAINTING AND MACHINE COPYING AS A SOURSE OF PLASTIC DEFORMATION IN ZAHA HADID`S CREATIVE ACTIVITY
Authors Y. Yurovskaya, Moscow Institute of Architecture (State Academy), Moscow, Russia
Abstract The article is devoted to a clarification the links between the earlier Zaha Hadids searching, got with use of drawing and painting, and architecture. Hadid dispenses with from her first impressions and associations, and then fixes them by means of graphic sign transformed into the architectural forms. The creative process includes the topographic studies and imposition the initial sign on it. The form is brought into line with powerful lines of place. Hadid often finds her inspiration from the Russian Avant-Garde masters works and strives to impress the energies and geometrical forms movement. She refuses from the rectangular angle and develops the idea of form explosion, makes the fragmentation and explosion splinters frosting. In her search of form she uses the unexpected foreshortenings, distorted perspectives and machine reproduction. The perversions founded in such manipulations lay the foundation of complicated curvilinear, plastic volumes.
Keywords: Zaha Hadid, architecture, painting, drawing, forming, distortion, plastic deformation
article Article (RUS)
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