МАРХИ
ЛИЧНЫЙ КАБИНЕТ СТУДЕНТА
ПРОЕКТНЫЕ ГРУППЫ III КУРСА 2024/2025 уч. г.
Конкурс плакатов, посвященный 275-летию Московской архитектурной школы
КОНФЕРЕНЦИИ 2023-2024
Выборы заведующих кафедрами. Конкурс ППС
2024 - ГОД СЕМЬИ
ВМЕСТЕ ПРОТИВ КОРРУПЦИИ
ФАКУЛЬТЕТ ПОВЫШЕНИЯ КВАЛИФИКАЦИИ
НАЦИОНАЛЬНЫЙ ПРОЕКТ "Наука и Университеты"
СТАЖЁР Минобрнауки России
ЗАЩИТА ПРАВ НЕСОВЕРШЕННОЛЕТНИХ В СЕТИ ИНТЕРНЕТ

4(33) 2015


English version Russian version



ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
INTERNATIONAL ELECTRONIC SCIENTIFIC - EDUCATIONAL JOURNAL ON SCIENTIFIC-TECHNOLOGICAL AND EDUCATIONAL-METHODICAL ASPECTS OF MODERN ARCHITECTURAL EDUCATION AND DESIGNING WITH THE USAGE OF VIDEO AND COMPUTER TECHNOLOGIES


Article DEVELOPMENT OF PRINCIPLES OF FORMATION IN POSTMODERN ART AND ARCHITECTURE FROM THE STANDPOINT OF TEACHING DESIGN OF PLASTIC SUBJECTS
Authors A. Efimov, N. Panova, Moscow Institute of Architecture (State Academy), Moscow, Russia
Abstract The study examines the principles of formation of art and architecture postmodernism as an example of creativity Aldo Rossi and Giorgio de Chirico from the standpoint of teaching design and plastic disciplines. Drawing parallels "artist-architect" is defined subjective and objective impact of language features color-plastic artist on architectural creativity Aldo Rossi.
Keywords: art, architecture, postmodernism, shaping, architectural environment, teaching, design, color, plastic
article Article (RUS)
References
  1. Arnhejm R. Dinamika arhitekturnyh form [The dynamics of architectural form]. Moscow, 1984, 193 p.
  2. Dzhenks Ch. A. Jazyk arhitektury postmodernizma [The language of postmodern architecture]. Moscow, 1985, 136 p.
  3. Dobricyna I. A. Ot postmodernizma – k nelinejnoj arhitekture: Arhitektura v kontekste sovremennoj filosofii i nauki [From postmodernism to nonlinear architecture: Architecture in the context of contemporary philosophy and science]. Moscow, 2004, 416 p.
  4. Ermolaev A. P., Shulika T.O., Sokolova M.A. Osnovy plasticheskoj kul'tury arhitektoradizajnera: uchebnoe posobie [Fundamentals of plastic culture architect-designer]. Moscow, 2005, 464 p.
  5. Efimov A. V. Cvet + Forma. Iskusstvo 20-21 vekov (zhivopis', skul'ptura, installjacija, lendart, digital-art) [Color + Form. The art of the 20th and 21st century (painting, sculpture, installation, land art, digital-art)]. Moscow, 2014, 616 p.
  6. Panova N. G. Razvitie principov formoobrazovanija v iskusstve i arhitekture 20 v. (na primere tvorchestva Al'do Rossi i Dzhordzho de Kiriko) [Development of the principles of morphogenesis in art and architecture in the 20th century (in the work of Aldo Rossi and Giorgio de Chirico)]. Moscow, 2015, pp. 414-415.
  7. Panova N. G. Sintez disciplin hudozhestvennogo cikla i osnov arhitekturno-dizajnerskogo proektirovanija v processe obuchenija po napravleniju «Dizajn arhitekturnoj sredy» [The synthesis of art subjects and fundamentals of architectural designing in the process of learning in "Design of architectural environment"]. Available at: http://mghpu.ru/images/stories/Philip/nauka/vestnik_MGHPA/sbornik_2-2015_light.pdf
  8. Rjabushin A. V. Arhitektory rubezha tysjacheletij. Kn. 1. Lidery professii i novye imena [The architects of the turn of the Millennium]. Moscow, 2010, 428 p.
  9. Shulika T.O. Metodologija proektno-hudozhestvennogo sinteza v obuchenii arhitektoradizajnera [The methodology of design and art synthesis in the training of architectdesigner]. Kursk, 2010, pp.155-162.
  10. Aldo Rossi. Das Gesamtwerk. Herausgegeben von A. Ferlenga. Kӧln, Kӧnemann, 2001.
  11. Celant G., Ghirardo D., Aldo Rossi Drawings. SKIRA, 2008, 304 p.
  12. Holzhey M. De Chirico. Kӧln, Los Angeles, Tashen, 2005.