МАРХИ
ЛИЧНЫЙ КАБИНЕТ СТУДЕНТА
ПРОЕКТНЫЕ ГРУППЫ III КУРСА 2024/2025 уч. г.
Конкурс плакатов, посвященный 275-летию Московской архитектурной школы
КОНФЕРЕНЦИИ 2023-2024
ФЕСТИВАЛЬ НАУКИ
Выборы заведующих кафедрами. Конкурс ППС
2024 - ГОД СЕМЬИ
ВМЕСТЕ ПРОТИВ КОРРУПЦИИ
ФАКУЛЬТЕТ ПОВЫШЕНИЯ КВАЛИФИКАЦИИ
НАЦИОНАЛЬНЫЙ ПРОЕКТ "Наука и Университеты"
СТАЖЁР Минобрнауки России
ЗАЩИТА ПРАВ НЕСОВЕРШЕННОЛЕТНИХ В СЕТИ ИНТЕРНЕТ

4(25) 2013


English version Russian version



ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
INTERNATIONAL ELECTRONIC SCIENTIFIC - EDUCATIONAL JOURNAL ON SCIENTIFIC-TECHNOLOGICAL AND EDUCATIONAL-METHODICAL ASPECTS OF MODERN ARCHITECTURAL EDUCATION AND DESIGNING WITH THE USAGE OF VIDEO AND COMPUTER TECHNOLOGIES


Article PERCEPTION OF SPACE AND TIME IN THE MODERN ARCHITECTURE: INTERDISCIPLINARY SYNTHESIS OF EVOLUTIONARY IDEAS IN AESTHETICS
Authors M. Solonenko, Moscow Institute of Architecture (State Academy), Institute of Philosophy of the Russian Academy of Science, Moscow, Russia
Abstract In recent years, synergistic, cognitive, evolutionary epistemological and other interdisciplinary evolutionary methods have come to occupy a special place among the scientific methods and tools in modern art. It is these scientific methods and tools are attracted the most attention of architects and artists, because they can greatly expand the cognitive and visual possibilities of contemporary art, to arouse in the artist-creator the sense of beauty and innovative creativity, to create new kinds of artistic practices. In particular, synergistic, evolutionary epistemological and cognitive methods and approaches can change the traditional linear view on time and space and space-time environment in which modern architects, sculptors and artists realize their works and projects.
Keywords: perception, space, time, non-linearity, emergence, modern architecture, evolutionary epistemology, interdisciplinary approach, evolutionary, synergistic and cognitive methods
article Article (RUS)
References
  1. Prigogine I. The Rediscovery of Time. Questions of Philosophy. 1989, no. 8, pp. 3−19.
  2. Guy Debord Ernest. Time and history. Guy Debord Ernest. Society of the Spectacle. Moscow, 1999.
  3. Knyazeva E.N. Francisco Varela’s Creative Development: From the Theory of Autopoiesis to a New Conception in Cognitive Science. no. 8, pp. 91-104.
  4. Bloom F., Lezerson A., Hofstadter L. Brain, Mind and Behavior. Мoscow, 2006.
  5. Kozlov V. Transcendence of time in the creation. The Psychology of Creativity: The Light, Twilight and Dark Night of the Soul. Moscow, 2009.
  6. Taylor S. Making Time: Why Time Seems to Pass at Different Speeds and How to Control It. Moscow, 2010, pp. 11–18.
  7. Mandelbrot B. The Fractal Geometry of Nature. Moscow, 2002, 856 p.
  8. Azizyan I. Theory of Composition as the Poetics of Architecture. Moscow, 2002. 568 p.