ÌÀÐÕÈ
ËÈ×ÍÛÉ ÊÀÁÈÍÅÒ ÑÒÓÄÅÍÒÀ
ÏÐÎÅÊÒÍÛÅ ÃÐÓÏÏÛ III ÊÓÐÑÀ 2024/2025 ó÷. ã.
ÊÎÍÔÅÐÅÍÖÈÈ 2023-2024
Âûáîðû çàâåäóþùèõ êàôåäðàìè. Êîíêóðñ ÏÏÑ
ÔÀÊÓËÜÒÅÒ ÏÎÂÛØÅÍÈß ÊÂÀËÈÔÈÊÀÖÈÈ
2024 - ÃÎÄ ÑÅÌÜÈ
ÍÀÖÈÎÍÀËÜÍÛÉ ÏÐÎÅÊÒ "Íàóêà è Óíèâåðñèòåòû"
ÑÒÀƨРÌèíîáðíàóêè Ðîññèè
ÇÀÙÈÒÀ ÏÐÀÂ ÍÅÑÎÂÅÐØÅÍÍÎËÅÒÍÈÕ Â ÑÅÒÈ ÈÍÒÅÐÍÅÒ


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ÌÅÆÄÓÍÀÐÎÄÍÛÉ ÝËÅÊÒÐÎÍÍÛÉ ÑÅÒÅÂÎÉ ÍÀÓ×ÍÎ-ÎÁÐÀÇÎÂÀÒÅËÜÍÛÉ ÆÓÐÍÀË
"ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES" 
(ÀÐÕÈÒÅÊÒÓÐÀ È ÑÎÂÐÅÌÅÍÍÛÅ ÈÍÔÎÐÌÀÖÈÎÍÍÛÅ ÒÅÕÍÎËÎÃÈÈ)

1(50) 2020

Íàçâàíèå ñòàòüè

ÍÅÄÎËÃÎÂÅ×ÍÎÑÒÜ ÑÐÎÊÀ ÑËÓÆÁÛ ÇÄÀÍÈÉ Â ÏÀÐÀÄÈÃÌÅ ÄÈÇÀÉÍ-ÀÐÕÈÒÅÊÒÓÐÛ

Àâòîðû

Ä.Ë. Ìåëîäèíñêèé
Ìîñêîâñêèé àðõèòåêòóðíûé èíñòèòóò (ãîñóäàðñòâåííàÿ àêàäåìèÿ), Ìîñêâà, Ðîññèÿ

Àííîòàöèÿ

 ñîâðåìåííîì àðõèòåêòóðíîì ïðîöåññå îáíàðóæèâàåòñÿ íîâàÿ òåíäåíöèÿ çàìåòíîãî ñîêðàùåíèÿ ñðîêîâ ñóùåñòâîâàíèÿ àðõèòåêòóðíûõ îáúåêòîâ. Èä¸ò òîòàëüíîå îáíîâëåíèå îáðàçà îêðóæàþùåé îáúåìíî-ïðîñòðàíñòâåííîé ñðåäû. Íà ìåñòå ñòàðûõ çäàíèé è ñîîðóæåíèé âîçíèêàåò íîâàÿ àðõèòåêòóðà, êîòîðàÿ ïðåâðàùàåòñÿ â äèçàéí-ñðåäó – âåùíûé ìèð. Ïîäîáíàÿ ñðåäñòâàì òðàíñïîðòà, áûòîâîé òåõíèêå, ýëåêòðîííîé ïðîäóêöèè è èíûì ïîòðåáèòåëüñêèì òîâàðàì, îíà âîâëå÷åíà â ïîñòîÿííûé ïðîöåññ âçàèìîçàìåùåíèÿ è îáíîâëåíèÿ, ðàññ÷èòàíà íà íîâûå ôóíêöèîíàëüíûå âîçìîæíîñòè è ýñòåòè÷åñêèå âêóñû.

Êëþ÷åâûå ñëîâà

àðõèòåêòóðíîå ïðîåêòèðîâàíèå, àðõèòåêòóðíûé äèçàéí, ïðîìûøëåííûé äèçàéí, ñðîê æèçíè àðõèòåêòóðíîãî ñîîðóæåíèÿ, ïàðàäèãìà ñîâðåìåííîé àðõèòåêòóðû

Ïîëíûé òåêñò ñòàòüè Ïîëíûé òåêñò ñòàòüè
Ñïèñîê öèòèðóåìîé ëèòåðàòóðû

  1. Íåáîñêðåá ñ ñåðòèôèêàòîì LEED Platinum ñíîñÿò ïîñëå øåñòè ëåò ñëóæáû // Arch:SPEECH. – 01 ìàðòà, 2018. – URL: https://archspeech.com/article/neboskreb-s-sertifikatom-leed-platinum-snosyat-posle-shesti-let-sluzhby (äàòà îáðàùåíèÿ: 08.12.2019).
  2. Øóìàõåð Ï. Ïàðàìåòðèçì. – URL: http://www.patrikschumacher.com/Texts/Parametricism_Russian%20text.html (äàòà îáðàùåíèÿ: 08.12.2019).
  3. Senosiain Javier. Organic Architecture, Mexico City. – Mexico: AM Editores, 2008. ISBN 9709726900.
  4. Åñàóëîâ Ã.Â. Óñòîé÷èâàÿ àðõèòåêòóðà: îò ïðèíöèïîâ ê ñòðàòåãèè ðàçâèòèÿ // Âåñòíèê ÒÃÀÑÓ. – 2014. – ¹ 6. – Ñ. 9–14.
  5. Þðãåí Å. Èñòîðèÿ ñîâðåìåííîé àðõèòåêòóðû. – Ìîñêâà: Èçäàòåëüñòâî «Èñêóññòâî», 1972. – 246 c.
  6. Âñåîáùàÿ èñòîðèÿ àðõèòåêòóðû. Â 12 òîìàõ. Òîì 10. – Ìîñêâà: Ñòðîéèçäàò, 1972. – 592 ñ.
  7. Áûñòðîâà Ò.Þ. Ôåíîìåí âåùè â äèçàéíå: ôèëîñîôñêî-êóëüòóðîëîãè÷åñêèé àíàëèç: àâòîðåôåðàò äèññåðòàöèè íà ñîèñêàíèå ó÷åíîé ñòåïåíè äîêòîðà ôèëîñîôñêèõ íàóê: 09.00.13 / Áûñòðîâà Òàòüÿíà Þðüåâíà. – Åêàòåðèíáóðã, 2003. – 42 ñ.

    Äëÿ öèòèðîâàíèÿ

    Ìåëîäèíñêèé Ä.Ë. Íåäîëãîâå÷íîñòü ñðîêà ñëóæáû çäàíèé â ïàðàäèãìå äèçàéí-àðõèòåêòóðû // Architecture and Modern Information Technologies. – 2020. – ¹1(50).
    – Ñ. 922. URL: https://marhi.ru/AMIT/2020/1kvart20/PDF/01_melodinsky.pdf DOI: 10.24411/1998-4839-2020-15001


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