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ÌÅÆÄÓÍÀÐÎÄÍÛÉ ÝËÅÊÒÐÎÍÍÛÉ ÑÅÒÅÂÎÉ ÍÀÓ×ÍÎ-ÎÁÐÀÇÎÂÀÒÅËÜÍÛÉ ÆÓÐÍÀË
"ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES"
(ÀÐÕÈÒÅÊÒÓÐÀ È ÑÎÂÐÅÌÅÍÍÛÅ ÈÍÔÎÐÌÀÖÈÎÍÍÛÅ ÒÅÕÍÎËÎÃÈÈ)
4(49) 2019
Íàçâàíèå ñòàòüè
ÏÐÅÄÑÒÀÂËÅÍÈÅ ÊÐÓÃÎÂÎÐÎÒÀ ÂÎÄÛ È ÊÐÓÃÀ ÇÅÌÍÎÉ ÆÈÇÍÈ Â ÀÐÕÈÒÅÊÒÓÐÅ ÀÍÒÈ×ÍÎÃÎ ÕÐÀÌÀ
Àâòîðû
Í.Ë. Ïàâëîâ, Ìîñêîâñêèé àðõèòåêòóðíûé èíñòèòóò (ãîñóäàðñòâåííàÿ àêàäåìèÿ), Ìîñêâà, Ðîññèÿ
Àííîòàöèÿ
Íà ïðèìåðå õðàìîâîé àðõèòåêòóðû Àíòè÷íîé Ãðåöèè ðàññìîòðåí ðÿä ìíîãîîáðàçíûõ ïðåäñòàâëåíèé î êðóãîâîðîòå âîäû ïðèðîäå, î ïðèðîäíûõ è êàëåíäàðíûõ âðåìåííû́õ öèêëàõ, î öèêëå æèçíè, î ðåàëüíîé è ëåãåíäàðíîé èñòîðèè. Ïîêàçàíî êàê ýòè ïðåäñòàâëåíèÿ ñôîðìèðîâàíû â îáùåé ñòðóêòóðå õðàìà, â îòäåëüíûõ àðõèòåêòóðíûõ ôîðìàõ, â ýëåìåíòàõ äåêîðà è â öâåòîâûõ ðåøåíèÿõ.
Êëþ÷åâûå ñëîâà
öèðêóëÿöèÿ âîäû, êàëåíäàðíûå öèêëû, êðóã çåìíîé æèçíè
Ïîëíûé òåêñò ñòàòüè
Ñïèñîê öèòèðóåìîé ëèòåðàòóðû
Âñåîáùàÿ èñòîðèÿ àðõèòåêòóðû. – Ò. II, êíèãà 1. – Ì.: ÈÀÀ, 1949. – 510 ñ.
Èñêóññòâî è èñòîðèÿ Ïîìïåè. – Florence: Bonechi, 2005. – 128 ñ.
Ëîãèäó-Ïëàòîíîñ Ñ. Êíîññ. Äâîðåö Ìèíîñà. Ìèíîéñêàÿ öèâèëèçàöèÿ. – Àôèíû, 2002.– 96 ñ. 4.
Ïàâëîâ Í.Ë. Àëòàðü. Ñòóïà. Õðàì. Àðõàè÷åñêîå ìèðîçäàíèå â àðõèòåêòóðå èíäîåâðîïåéöåâ. – Ì.: ÎËÌÀ-ÏÐÅÑÑ, 2001. – 359 ñ.
Ïàâëîâ Í.Ë. Î öâåòîâîì ïðåäñòàâëåíèè ïðèðîäíûõ îñíîâ æèçíè // Ñâåòîòåõíèêà.– 2016. – ¹ 1. – Ñ. 57-60.
Ðèãâåäà. – Ò. I. // Òåêñò ïîäãîòîâëåí Ò.ß. Åëèçàðåíêîâîé. – Ì.: Íàóêà,1989. – 767 ñ.
Ñòóðëóðñîí Ñ. Êðóã çåìíîé // Ïåð. ñ àíãë. Êóçìåíêî Þ.Ê., Ñìèðíèöêîé Î.À., Ñòåáëèí-Êàìåíñêîãî Ì.È. – Ì.: Íàóêà, 1980. – 687 ñ.
Groft P. Lemba and Kissonerga. – Nicosia, 1999. – 78 s.
Springer A. Die Kunst des Altertums. – Leipzig, 1923. – 608 p.
Äëÿ öèòèðîâàíèÿ
ÑÎÄÅÐÆÀÍÈÅ ÆÓÐÍÀËÀ