<OBJECT codeBase=http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,28,0 height=101 width=541 classid=clsid:D27CDB6E-AE6D-11cf-96B8-444553540000><PARAM NAME="_cx" VALUE="14314"><PARAM NAME="_cy" VALUE="2672"><PARAM NAME="FlashVars" VALUE=""><PARAM NAME="Movie" VALUE="http://www.marhi.ru/eng/AMIT/amit.swf"><PARAM NAME="Src" VALUE="http://www.marhi.ru/eng/AMIT/amit.swf"><PARAM NAME="WMode" VALUE="Window"><PARAM NAME="Play" VALUE="-1"><PARAM NAME="Loop" VALUE="-1"><PARAM NAME="Quality" VALUE="High"><PARAM NAME="SAlign" VALUE=""><PARAM NAME="Menu" VALUE="-1"><PARAM NAME="Base" VALUE=""><PARAM NAME="AllowScriptAccess" VALUE=""><PARAM NAME="Scale" VALUE="ShowAll"><PARAM NAME="DeviceFont" VALUE="0"><PARAM NAME="EmbedMovie" VALUE="0"><PARAM NAME="BGColor" VALUE=""><PARAM NAME="SWRemote" VALUE=""><PARAM NAME="MovieData" VALUE=""><PARAM NAME="SeamlessTabbing" VALUE="1"><PARAM NAME="Profile" VALUE="0"><PARAM NAME="ProfileAddress" VALUE=""><PARAM NAME="ProfilePort" VALUE="0"><PARAM NAME="AllowNetworking" VALUE="all"><PARAM NAME="AllowFullScreen" VALUE="false"> <IMG id="swf_334912" style="border: 1px solid #B6B6B8; background-color: #E2DFDA; background-image: url(/bitrix/images/fileman/htmledit2/flash.gif); background-position: center center; background-repeat: no-repeat; width: 541px; height: 101px;" src="/bitrix/images/1.gif" __bxtagname="flash"/> </OBJECT></OBJECT></OBJECT></OBJECT></OBJECT></OBJECT>
INTERNATIONAL SCIENTIFIC AND EDUCATIONAL ONLINE JOURNAL
ARCHITECTURE AND MODERN INFORMATION TECHNOLOGIES
4(45) 2018
Article FORM FINDING PROCESS AND GRAPHICS IN ARCHITECTURAL CONCEPTS OF NEW MODERNISM. INTERRELATIONS AND CONTRADICTIONS
Authors
M. Mindiashvili, Moscow Institute of Architecture (State Academy), Moscow, Russia
Abstract Current article deals with the analysis of graphical methods of the architecture of “New Modern”. It is noteworthy that the finding process of architecture form is connected with the graphical representation. The two fundamental methods are studied in current article: the diagram method and collage. The origins of contemporary collages are analyzed in detail. The collage technique, which became popular with the help of works of Georges Braque and Pablo Picasso, had huge impact on both the artistic trends of the twentieth century as well as the architecture of the beginning of the 21st century. Circulation diagrams and functional schemes, which originated in American books on home management in the end of the 19th century, were popularized in works of German architects Bruno Taut and Alexander Klein in the early twentieth century. However diagrams became a subject of studies only in the 90s of the 20th century. Architecture elements, its function and values are constantly changing, but the diagram method and collage technique have become more and more popular and actual.
Keywords: new modernism, the architecture of the XXI century, collage, diagrammatic formations, modernism, pop-art, postmodernism
Article (RUS)
References
Eisenman P. Desyat` kanonicheskix zdanij 1950 – 2000 [Ten Canonical Buildings: 1950-2000]. Moscow: Strelka Press, 2017, p. 308.
Asalhanova M. Kollazh: istoriya i sovremennoe obrazovanie [Collage: History and Modern Education]. Czarskosel`skie chteniya, 2010, no. XIV. Available at: https://cyberleninka.ru/article/n/kollazh-istoriya-i-sovremennoe-obrazovanie
Demchenko A. Kollazh i polistilistika v iskusstve XX veka [Collage and polystylistics in the art of the twentieth century]. Izvestiya VGPU, 2005, no. 2. Available at: https://cyberleninka.ru/article/n/kollazh-i-polistilistika-v-iskusstve-hh-v
Jencks C. Yazy`k arxitektury` postmodernizma [Language of Postmodern Architecture]. Moscow, Stroyizdat, 1985, 340 p.
Dobricyna I.A. Ot postmodernizma k nelinejnoj arhitekture arhitektura v kontekste sovremennoj filosofii i nauki [From postmodernism to nonlinear architecture. Architecture in the context of modern philosophy and science]. Moscow, Progress Tradiciya, 2004, 448 p.
Zavolokina O. Method “superimposition” of the czech cubism and “deconstruction” of the architecture of second half of XX-th century: analogies and differences. Architecture and Modern Information Technologies, 2018, no. 2(43), pp. 277-287. Available at: https://www.marhi.ru/AMIT/2013/2kvart13/zavolokina/zavolokina.pdf
Karelin D.A., Karelina M.A. Reflection on the Methods and Ways of Scientific 3DReconstructions Presentation. Architecture and Modern Information Technologies, 2018, no. 2(43), pp. 372-393. Available at: http://marhi.ru/eng/AMIT/2018/2kvart18/25_karelin/index.php
Krasheninnikov A. Scenario-Based Design of the Built Environment. Architecture and Modern Information Technologies, 2017, no. 4(41), pp. 242-256. Available at: http://marhi.ru/eng/AMIT/2017/4kvart17/18_krasheninnikov/index.php
Mindiashvili M. Planar and Spatial Grids in Architecture of New Modernism. Architecture and Modern Information Technologies, 2018, no. 2(43), pp. 277-287. Available at: http://marhi.ru/eng/AMIT/2018/2kvart18/18_mindiashvili/index.php
Savinkin V., Simakova E. Synthesizing Technologies in Teaching the Course «Basics of Figurative Arts». Architecture and Modern Information Technologies, 2018, no. 1(42), pp. 364-378. Available at: http://marhi.ru/eng/AMIT/2018/1kvart18/26_savinkin/index.php
Sipkin P. Tvorcheskaya koncepciya Rema Kulxaasa: predstavleniya, modeli, voploshhenie [The creative concept of Rem Koolhaas: representations, models, incarnation (Cand. Dis. Thesis)]. Moscow, 2014, 184 p.
Ushakin S. Formal`ny`j metod: Antologiya russkogo modernizma. Tom I. Sistemy` [Formal method: An anthology of Russian modernism. Volume I. Systems. S. Ushakin]. Moscow, 2016, 956 p.
Eisenman P. The Formal Basis of Modern Architecture. Zürich, Lars Muller, 2006, 528 p.
Garcia M. The diagrams of architecture. Chichester, John Wiley & Sons Ltd, 2002. 320 p.
Herdeg K. The decorated Diagram: Harvard Architecture and the Failure of Bauhaus Legacy. Cambridge, MIT Press, 1985, 133 p.
Koolhaas R., Mau B. S, M, L, XL. O.M.A. New York, The Monacelli Press, 1995, 1344 p.
Rowe C., Koetter F. Collage City. The MIT Press, 1978, 186 p.
Tschumi B. Notations: Diagrams and Sequences. London: Artifice Books on Architecture, 2014, 304 p.
Tschumi B. The Manhattan Transcript. New York, Wiley, 1994, 63 p.
Ungers O.M. Morphologie: City Metaphors. König, 1982, 135 p.
Van der Rohe L.M: Montage, Collage. Walther König, Bilingual edition, 2017, 264 p.
For citation
Mindiashvili M. Form Finding Process and Graphics in Architectural Concepts of New Modernism. Interrelations and Contradictions. Architecture and Modern Information Technologies, 2018, no. 4(45), pp. 294-304. Available at: http://marhi.ru/eng/AMIT/2018/4kvart18/20_mindiashvili/index.php